EXHIBITIONS: CURATED OR ORGANIZED

JPH visits the Magdalena Fernández exhibit at Museo Amparo, Puebla, México.

JPH visits the Magdalena Fernández exhibit at Museo Amparo, Puebla, México.

  • 2019, Curator, Padece: Máximo Corválan-Pincheira, ARTESPACIO Galería, Santiago, Chile (Sept. 26–Oct. 20, 2019).

  • 2015, Curator, Mónica Bengoa: Exercices de Style/Exercises in Style, Patricia & Philip Frost Art Museum, Florida International University, Miami (Feb. 14-Apr, 5, 2015).

  • 2013, Curator, Kaarina Kaikkonen: Two Projects—Traces and Dialogues, El Museo de la Memoria y Derechos Humanos (Museum of History and Human Rights) and El Museo National de Bellas Artes (The National Museum of Fine Arts), Santiago, Chile. (Mar.-Aug. 2013). 

  • 2012, Co-curator, Monika Weiss: Sustenazo (Lament II), El Museo de la Memoria y Derechos Humanos, Santiago, Chile (Dec. 2012-Apr. 2013). (Co-curator María José Bunster.)

  • 2012, Curator, Iván Navarro: Fluorescent Light Sculptures, Patricia & Philip Frost Art Museum, Florida International University, Miami (Oct. 2012-Jan. 2013). 

  • 2012, Co-Curator, The Drop: Urban Art Infill, New York. Artists selected: Ching, Yoa Chen, John Ahearn, Luis Mallo, Raquel Rabinovich (July 2012)

  • 2011, Curator, Magdalena Fernández: 2iPM009, The Patricia & Philip Frost Art Museum, Florida International University, Miami (Oct. 2011-Jan. 2012).

  • 2009, Curator, Nela Ochoa: DNA and Art, The Patricia & Phillip Frost Art Museum, Florida International University, Miami (Apr.-Sept. 2009). 

  • 2008, Curator, Navjot Altaf: Lacuna in Testimony, The Patricia & Phillip Frost Art Museum, Florida International University, Miami.  (Oct. 2009-Jan. 2010).  

  • 2008, Curator, Raquel Rabinovich: River Library, Alon Foundation, Buenos Aires, Argentina (Oct.-Dec. 2008). 

  • 2006, Curator, Carlos Alfonzo: Extreme Expression, 1980-1991, Freedom Tower, Miami (Dec. 2006-Jan. 2007). 

  • 2006, Curator, Kaarina Kaikkonen: The Presence of Absence and Monika Weiss: Leukos – Early Morning Light, Remy Toledo Gallery, New York (Jan.-Feb. 2006).

  • 2005, General Curator, OMNIART-Miami III, an art event parallel to Art/Basel/Miami Beach International Art Show (Dec. 1-4), collaborating with curators Dr. Carol Damian and Tina Spiro.

  • 2005, Organized exhibition of photographers for The Cuban Artists Fund,
    Ricardo Elias: La Historia Me Absolvera/HistoryWill Absolve Me; Liudmila Velasco and Nelson Ramirez de Arellano: Absolut Revolución; Eduardo Hernandez Santos:Corpus – Fragile (The Fragile Body), Fast Track Gallery, Exit Art, New York (May 2005). Exhibition organized by the Cuban Artists Fund (CAF) and Instituto Cervantes The Spanish Cultural Center in New York.

  • 2004, Curator, Kaarina Kaikkonen: And It Was Empty, for OMNIART, an art event parallel to Art/Basel/Miami Beach International Art Show (Dec. 2-5, 2004). 

  • 2002, Curator, Ernesto Pujol: American Fields. Large-scale photographs, Jersey City Museum, Jersey City (Sept.-Dec. 2002).

  • 2001, Curator, Leandro Erlich: Neighbors. Site-specific installation for Contemporánea 2000, El Museo del Barrio, New York (Feb.-May 2001).

  • 2000, Curator, Ernesto Pujol: Conversion of Manners. Site-specific installation for Contemporánea 2000, El Museo del Barrio, New York (June-Oct. 2000). The exhibition was selected by Art in America as one of the best summer choices.

  •  2000, Curator, Franco Mondini–Ruiz: Mexique. Site-specific installation for the gallery, Contemporánea 2000, El Museo del Barrio, New York (Feb.-May, 2000).

  • 1999, In-house curator, Pepon Osorio: Transboricua, and Juan Sanchez, Printed Convictions: Prints and Related Works on Paper, El Museo de Barrio, New York (Sept. 1999-Jan. 2000). Organized by Rhode Island School of Design, Providence, RI.

  • 1998, Curator, Magdalena Campos–Pons, History of People That Were Not Heroes: Part I, A Town Portrait. Organized by Lehman College Art Gallery/CUNY, Bronx, New York (Mar.-May 1998). http://www.lehman.cuny.edu/vpadvance/artgallery/gallery/campospons/TextTower.html.

  • 1996, Curator, Leandro Katz: Two Projects/A Decade The Catherwood Project and El Dia Que Me Quieras. Organized by El Museo del Barrio, New York (Jan-Apr. 1996) ISBN (P) 1-882454-0409.

  • 1996, Curator, Raquel Rabinovich: Drawings, 1978-1995. Organized by INTAR Gallery, New York (Apr.-June 1996).

  • 1993, Curator, Recovering Histories: Aspects of Contemporary Art in Chile since 1982/Historias recuperadas: Aspecto de arte contemporáneo en Chile desde 1982. Co-organized by The Center for Latino Arts and Culture, Rutgers The State University, New Brunswick, New Jersey and The Permanent Mission of Chile to the United Nations (Venues: The Zimmerli Museum, July-Aug. 1993; Lehigh Univ., Bethlehem, PA, Sept.-Oct. 1993; Museum of Contemporary Art of San Juan, Feb.-Apr. 1994; Kenkeleba Gallery, NY, May-June, 1994; Rhode Island School of Design Museum, Providence, Sept.-Oct, 1994; Instituto Siqueiros, Mexico City, Feb.-Mar. 1995; Museum of Modern Art, Bogotá, Apr.-June 1995; National Museum of Fine Arts, Santiago, Chile, Aug.-Sept. 1995). Artists: Carlos Altamirano, Claudio Bertoni, Roser Bru, Francisco Brugnoli, Gonzalo Diaz, Arturo Duclos, Paz Errazuriz, Eduado Garreaud, Lotty Rosenfeld, Enrique Zamudio, 1992. ISBN 0-88111-150-3.

  • Curator, Wifredo Lam and His Contemporaries. The Studio Museum in Harlem, New York (Dec. 1992-Apr. 1993). (Co-curators Lowery Stokes Sims and Giulio Blanc). 

  • 1992, Curator, Catalina Parra: A Retrospective. Lehman College Art Gallery, Bronx, New York (Feb. 6-Apr. 4, 1992). Exhibition was initiated by the Cultural Attaché, Ministry of Foreign Affairs, Santiago, Chile. Traveled to the Museum of Contemporary Art, Santiago. Library of Congress Catalog Number 91-075574.

  • 1991, Curator, Official US Representation for the III International Biennial of Painting Cuenca, Ecuador (Oct.-Dec. 1991). Artists: Juan Sánchez, Josely Carvalho, Luis Cruz Azaceta, Ismael Frigerio, Juan González. Travel venues: Museo del Banco Central, Guayaquil (Jan. 1992); Casa de la Cultura, Quito (Feb. 1992).

  • 1990, Curator, Installations: Current Directions. Museum of Contemporary Hispanic Art (MoCHA), New York (Sept.-Nov. 1990). Artists: Jaime Davidovich, María Elena González, Leandro Katz, Gabriel Orozco, Catalina Parra, Bastienne Schmidt.

  • 1990, Co-curator, The Decade Show: Frameworks of Identity in the 1980s. Co-organized by and presented in the Museum of Contemporary Hispanic Art, The New Museum of Contemporary Art, and The Studio Museum in Harlem (May-Aug. 1990). ISBN 0-915557-68-1.

  • 1990, Curator, Figurative Perspectives: Six Artists of Latin America Background. Rockland Center for the Arts, West Nyack, New York (Jan.- Mar. 1990). Artists: Ana Mendieta, Judite dos Santos, Juan González, Benjamín Lira, Marina Gutiérrez, Luis Frangella. (Co-curator Giulio Blanc.)

  • 1984-1986, Curatorial Assistant, Gloria In Excelsis: The Virgin And Angels In Vice Regal Painting From Peru And Bolivia. The Center for Inter-American Relations, New York, Nov. 1985-Jan. 1986; Archer M. Huntington Art Gallery, University of Texas, Austin, March-May 1986; The Center for Fine Arts, Miami, May-July 1986. (John Stringer, Director; Barbara Duncan and Teresa Gisbert, guest curators).